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Molds of Introspection

An artist introduces us to his creation. Written by Devin Swick for Jayel Aheram.

I am an artist of duality. My passions include culture and love; dreams and nightmares; death and fear. My work, Oriental Intension, is an image of imitation and appreciation of Japanese art. When I begin working on something, I usually don’t know what the final result will be. I watch the colors and shapes in my subconscious spring to life what I think needs to be said about myself. The rest of the world does not exist in these moments — I have to drag it in with me — and we become witnesses of creation, within isolation.

I started with a blank, white backdrop, and experimented with the colors of my mood at the time. I cannot say that blue equals sadness and that yellow equals happiness, it is just a color that feels right, and it’s never the same. Next, I stroked my digital brush to fill the spaces I felt needed to be filled, guiding it with emotion and maybe even psychological need. I brushed in one direction, copied it, and repeated the process. There was a collection of these before I was done, which I layered together in differing opacities.

What was left was a raw mold of introspective design. Trimming what needed to be trimmed, arranging what needed to be arranged, I came out with a shape resembling nothing less than a kanji symbol. I took a step back and considered how best to represent this revelation. Between contemporary simplicity and a love for ancient design, I had many choices. I decided with something much less current and had to then decide how to go about it. This was my first time doing anything like this, ever.

At a low opacity, I burned my way through areas of the backdrop, and, using Retouch, smudged colors together to create an illusion of paint and age. I placed an illumination of a sun to give a stronger presence of Japan in the image, and then wrapped it up in a sepia tone to further emphasize aging. After, I painted a line down the image to contrast over the yellow sun, in which I feel was successful. Now, I needed detail.

Smudging the black line to give the impression of “running paint” gave less balance over the consistency of detail in the image, so I looked online for texture and found one that felt appropriate. It was an aged paper texture with some ineligible writing on it. Then I created an overlay layer that blanketed over the entire image, and lowered the opacity quite a bit to fit it snugly into the backdrop. The intention was to give the illusion of a painting on aged paper. After layering a Gaussian blur and adjusting the contrast (for dramatic effect), before I knew it, I was finished.

What I enjoy about the piece is that while it is not presumptuous or pretentious, I can believe in it. Some have even had to ask me if it were digital or painted on canvas. To an aspiring artist like me, it has made me feel proud, and in some way, validated, over what people may think of when their eyes explore my work, and in essence, explore who I am: an isolated person being discovered — dragging the world with them.

Devin Swick is an artist currently living in Arizona.